Magnus Andersson, guitarist
“Giulio Tampalini is a guitarist of enormous talent. However, he was not impressed by his extraordinary instrumental ability, but rather by his willingness to use his abilities for a pure and authentic musical research, fruit of the union between thought and emotion, construction and expression, virtuosity and poetry. “
read moreLuigi Fait, music critic
“I was struck by his profound, elegant, I would say aristocratic agogic and dynamic intuition. His phrasing is always recreated with very balanced drama. The sound is controlled in its fascinating beauty.”
read moreBernardino Zappa, journalist
“Complete interpreter, both on the technical side and for the splendid airiness of the period, Tampalini was admired for a peculiar polyphony of touch, capable of sophisticated delicacies: a variety of overlapping colors managed with fine clarity, with intelligibility and autonomy of the various components, so unconventional in the twentieth century as Castelnuovo-Tedesco and Gilardino, […]
read moreMarlos Nobre, composer
“It was a great pleasure to have listened to Giulio Tampalini performing” Momentos I “with so much depth, technique and emotion.”
read moreFilippo Michelangeli, Suonare news
“One word: magnificent. No uncertainty and formidable technical control!”
read moreIl Resto del Carlino
“The Tampalini guitar wins the Rossini … the guitarist very good at combining the extreme heterogeneity of the proposals planned with an excellent executive quality, fully confirming the national and international awards listed in his curriculum.”
read moreLa Sicilia
“Quality and communicativeness are the ingredients of the extraordinary performance of Giulio Tampalini; a resounding and announced success, obtained thanks to a safe touch, now delicate, now powerful, and a unique interpretative sensitivity.”
read moreIl Secolo XIX
“Tampalini, an amazing guitar. Two pins of the guitarist’s musicality immediately emerged with unquestionable evidence: the predilection and an affinity with the literature of the twentieth century, an astonishing safety and technical meticulousness. The latter was revealed with authority at every opportunity , from the ductility of the timbres, to the variety of expressive intonations, […]
read moreChiara Maresca, composer
“The sound long” sought “by Giulio Tampalini and” found “, spreads around him warm vibrations, sinuous waves and vaporous embroideries of notes, as if to re-propose the magic instant of creation. No technique, however high-level, can, indeed, by itself, bringing out such sonorous results, but only a shrewd and timely reading of the musical page […]
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