“Tampalini, an amazing guitar. Two pins of the guitarist’s musicality immediately emerged with unquestionable evidence: the predilection and an affinity with the literature of the twentieth century, an astonishing safety and technical meticulousness. The latter was revealed with authority at every opportunity , from the ductility of the timbres, to the variety of expressive intonations, often enhanced by a mutability as sudden as unexceptionable in the definition of all-round peculiarities, thus passing from very intimate delicacies, with barely touched sounds – those voices of the ineffable peculiar to the instrument six strings – with sharp torn, from the magical acoustic ampoules of the harmonics and angular articulations, up to a percussive use of the resonance chamber, Turina’s Iberian impressionism, the sophisticated experiments in a twelve-tone key of the Swiss Martin, the restless frescoes of Castelnuovo German, Gina’s intricate architecture stera, the late-romanticism revised according to new languages \u200b\u200bby Ghedini and finally the aphorisms of the English Walton flowed under his hands with a really excellent and admirable familiarity and dominion in their exceptionality. “<\/p>\n
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“Tampalini, an amazing guitar. Two pins of the guitarist’s musicality immediately emerged with unquestionable evidence: the predilection and an affinity with the literature of the twentieth century, an astonishing safety and technical meticulousness. The latter was revealed with authority at every opportunity , from the ductility of the timbres, to the variety of expressive intonations, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-2512","post","type-post","status-publish","format-standard","hentry","category-reviews"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/posts\/2512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/comments?post=2512"}],"version-history":[{"count":1,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/posts\/2512\/revisions"}],"predecessor-version":[{"id":3041,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/posts\/2512\/revisions\/3041"}],"wp:attachment":[{"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/media?parent=2512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/categories?post=2512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/tags?post=2512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}