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<\/p>\nCD WARNER 2017
\n<\/b>The Spanish Guitar
\n<\/b>GIULIO TAM<\/b>PALINI, guitar<\/b><\/p>\n
<\/p>\n
TRACK LIST<\/b><\/p>\n
1.
\nMateo Alb\u00e9niz (1755-1831)
\n<\/b>Sonata in Re maggiore
\n2.
\nJoaqu\u00edn Rodrigo (1901-1999)
\n<\/b>Toccata para guitarra
\n3.
\nFederico Mompou (1893-1987)
\n<\/b>Canci\u00f3n y danza n. 6
\n4.
\nEnrique Granados (1867-1916)
\n<\/b>Valses po\u00e9ticos op. 10
\n(Introducci\u00f3n, Mel\u00f3dico, Tiempo de vals noble, Tiempo de vals lento, Allegro hum\u00f3ristico, Allegretto-elegante, Quasi ad libitum-sentimental, Vivo,\u00a0 Presto, Tiempo del primo vals)<\/p>\n
Vicente Asencio (1908-1979)
\n<\/b>Suite de homenajes
\n5. Sonatina (a Domenico Scarlatti)
\n6. Elegia (a Manuel de Falla)
\n7. Tango de la casada infiel (a Federico Garc\u00eca Lorca)<\/p>\n
Manuel de Falla (1876-1946)
\n<\/b>8. Danza da La vida breve<\/p>\n
Francisco T\u00e1rrega (1852-1909)
\n<\/b>9. Capricho \u00c1rabe
\n10. Recuerdos de la Alhambra<\/p>\n
Isaac Alb\u00e9niz (1860-1909)
\n<\/b>11. Asturias (Leyenda) dalla Suite Espa\u00f1ola op. 47<\/p>\n
Regino Sainz de la Maza <\/p>\n Toccata para It is indeed a pleasure to accept a kind invitation from the distinguished guitarist Giulio Tampalini to write a short commentary on Toccata para guitarra<\/i>, one of my father’s works that is most beloved to me for a series of circumstances. Toccata <\/i>is one of the most difficult works ever written for the repertoire of solo guitar, but it stands as a forerunner of the guitar technique which characterizes Joaqu\u00edn Rodrigo, considering that he is seen as a great guitarist although he never actually played the guitar. The work, written in 1933, was premiered 66 years later in 2006 by Marcin Dylla, symbolizing something like the Sleeping Beauty of the guitar. However, its composer was not sleeping all that time, and while he was not able to recover the only copy for guitarist that he delivered initially, he did preserve his original manuscript in Braille.\u00a0 And it occurred to him that it might be best used by turning it into the first movement of the magnificent Concierto de Est\u00edo<\/i> for violin and orchestra, which indeed he composed and premiered in 1943. The work that first appeared to be unplayable due to the difficulty of its guitar language and the limited number of guitarists at the time is at present, thanks to the advances in technique achieved by today’s numerous guitarists, performed triumphantly throughout the world.\u00a0 It is a great satisfaction and joy to welcome this new recording by Giulio Tampalini, which will undoubtedly constitute a step forward for the performer and for the work of Joaquin Rodrigo.<\/p>\n Cecilia Rodrigo<\/p>\n <\/p>\n
\n<\/b>12. Ronde\u00f1<\/em>a
\n13. Petenera
\n14. Zapateado<\/p>\n
\nby Joaqu\u00edn Rodrigo<\/p>\n