{"id":1681,"date":"2013-05-03T13:49:38","date_gmt":"2013-05-03T11:49:38","guid":{"rendered":"http:\/\/www.giuliotampalini.it\/news-en\/strong-emotions-2-going-south-2\/"},"modified":"2019-12-19T23:35:56","modified_gmt":"2019-12-19T22:35:56","slug":"strong-emotions-2-going-south","status":"publish","type":"post","link":"https:\/\/www.giuliotampalini.it\/en\/cd-dvd\/strong-emotions-2-going-south\/","title":{"rendered":"STRONG EMOTIONS 2 – Going South"},"content":{"rendered":"\n\n\n\n\n\n\n\n
Strong Emotions 2 on Classic Contemporary Guitar<\/td>\n<\/tr>\n
Going South<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
Giulio Tampalini<\/strong><\/a>, Chitarra (Philip Woodfield 2011)<\/td>\n<\/tr>\n
CD<\/td>\n<\/tr>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
[1<\/strong>]<\/td>\n<\/td>\nMarco Pereira: Pixaim (frevo)<\/td>\n<\/td>\n2’40”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[2<\/strong>]<\/td>\n<\/td>\nAriel Ramirez: Alfonsina y el mar<\/td>\n<\/td>\n5’15”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[3<\/strong>]<\/td>\n<\/td>\nJulio C\u00e9sar Sanders: Adios Muchachos<\/td>\n<\/td>\n1’44”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[4<\/strong>]<\/td>\n<\/td>\nDilermando Reis: Se ela preguntar<\/td>\n<\/td>\n3’03”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[5<\/strong>]<\/td>\n<\/td>\nAntonio Lauro: Vals “La Negra”<\/td>\n<\/td>\n1’54”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[6<\/strong>]<\/td>\n<\/td>\nAntonio Lauro: Vals “Maria Carolina”<\/td>\n<\/td>\n2’38”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[7<\/strong>]<\/td>\n<\/td>\nGaroto (A. A. Sardinha): Lamentos do morro<\/td>\n<\/td>\n2’09”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[8<\/strong>]<\/td>\n<\/td>\nGentil Monta\u00f1a: Suite Colombiana I.El Margarite\u00f1o (Pasillo)<\/td>\n<\/td>\n2’43”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[9<\/strong>]<\/td>\n<\/td>\nGentil Monta\u00f1a: Suite Colombiana II. Guabina Viajera<\/td>\n<\/td>\n4’37”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[10<\/strong>]<\/td>\n<\/td>\nGentil Monta\u00f1a: Suite Colombiana III. Bambuco<\/td>\n<\/td>\n1’59”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[11<\/strong>]<\/td>\n<\/td>\nGentil Monta\u00f1a: Suite Colombiana IV. Porro<\/td>\n<\/td>\n2’51”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[12<\/strong>]<\/td>\n<\/td>\nGiorgio Mirto: Villa 31<\/td>\n<\/td>\n7’13”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[13<\/strong>]<\/td>\n<\/td>\nJorge Cardoso: Milonga<\/td>\n<\/td>\n4’07”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[14<\/strong>]<\/td>\n<\/td>\nCarlos Antonio Carrillo: Como llora una estrella<\/td>\n<\/td>\n3’20”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[15<\/strong>]<\/td>\n<\/td>\nJos\u00e9 Rafael Cisneros: Zulay<\/td>\n<\/td>\n1’13”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[16<\/strong>]<\/td>\n<\/td>\nMaximo Diego Pujol: Canci\u00f2n de la tarde<\/td>\n<\/td>\n4’06”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[17<\/strong>]<\/td>\n<\/td>\nMarco Nodari: Tiliguerta<\/td>\n<\/td>\n5’03”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[18<\/strong>]<\/td>\n<\/td>\nPopular: Zamba de Vargas (Arr. Eduardo Fal\u00f9)<\/td>\n<\/td>\n2’29”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[19<\/strong>]<\/td>\n<\/td>\nManuel Maria Ponce: Tres Canciones Populares Mexicanas (I. La pajarera)<\/td>\n<\/td>\n0’53”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[20<\/strong>]<\/td>\n<\/td>\nManuel Maria Ponce: Tres Canciones Populares Mexicanas (II. Por ti mi coraz\u00f3n)<\/td>\n<\/td>\n2’09”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[21<\/strong>]<\/td>\n<\/td>\nManuel Maria Ponce: Tres Canciones Populares Mexicanas (III. La Valentina)<\/td>\n<\/td>\n1’26”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[22<\/strong>]<\/td>\n<\/td>\nHeraclio Fernandez: El diablo suelto<\/td>\n<\/td>\n2’26”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
[23<\/strong>]<\/td>\n<\/td>\nFernando Bustamante: Misionera<\/td>\n<\/td>\n1’54”<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Continua il viaggio di Giulio Tampalini nel mondo chitarristico contemporaneo: ma, questa volta, la bussola indica il sud, in particolare il continente sudamericano, in cui la grande variet\u00e0 dei ritmi nativi si fonde con le culture d\u2019Africa e d\u2019Europa. Vera e propria atracci\u00f3n fatal per le sei corde, il ricchissimo repertorio di danze, timbri e atmosfere viene esplorato con passione e precisione da Tampalini, che percorre i mondi sonori di Brasile, Argentina, Messico, Colombia e Venezuela, incrociando sia il repertorio popolare (si pensi a brani quali Alfonsina y el mar o Adios Muchachos), che quello pi\u00f9 colto degli Antonio Lauro, Alirio Diaz, Manuel Maria Ponce, M\u00e1ximo Diego Pujol. Non mancano gli omaggi di due giovani compositori italiani pressoch\u00e9 coetanei \u2013 Giorgio Mirto e Marco Nodari \u2013 alle suggestioni del Sud. Il secondo volume di Strong Emotions ribadisce dunque, declinandolo al ritmo latino-americano, il concept del primo album: raccogliere e riproporre quei brani che una volta ascoltati, si vorrebbero conoscere, per poi riascoltare di nuovo, e di nuovo, e di nuovo\u2026<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Cover Picture: Andrea Boyer, ABW336 2012, Matita su schoeller, cm 23 x 23 (Galleria Salamon)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u00a0<\/a><\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":2618,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-1681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-dvd"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/posts\/1681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/comments?post=1681"}],"version-history":[{"count":15,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/posts\/1681\/revisions"}],"predecessor-version":[{"id":2974,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/posts\/1681\/revisions\/2974"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/media\/2618"}],"wp:attachment":[{"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/media?parent=1681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/categories?post=1681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.giuliotampalini.it\/en\/wp-json\/wp\/v2\/tags?post=1681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}